Pratyusha Banerjee‘s death is something none of us expected. Her last rites took place at the Oshiwara crematorium today. Meanwhile, her post-mortem results are out.
As per ANI, there was no foul-play in the reports, but its possibility can’t be ruled out as yet. However, the report states that it’s a “clear case of suicide.” It also mentions ‘asphyxia’ as a cause of death and says that ligature marks were also seen around the neck. Pratyusha Banerjee died of suffocation.
After three decades of death-defying stunts, globe-trotting espionage, and that iconic theme music, Tom Cruise delivers what might be his final performance as super-spy Ethan Hunt in “Mission Impossible The Final Reckoning.”
This eighth installment isn’t just another action flick – it’s a love letter to fans who’ve followed Hunt’s journey since 1996, packed with jaw-dropping set pieces and emotional weight that makes it possibly the most ambitious entry in the franchise yet.
Yep, Hunt’s IMF crew faces their toughest challenge yet: “The Entity,” a rogue AI that’s gotten way too smart for comfort. Their only shot? Find its core programming hidden in a sunken submarine that nobody’s been able to reach. And with every move predicted before they make it, Hunt needs more than his usual spy tricks to save humanity this time.
Cruise has built something special over these 30 years. From De Palma’s first film to now, this franchise keeps reinventing itself while Cruise remains its beating heart.
The magic of Mission Impossible has always been Cruise’s almost maniacal commitment to authenticity. While other action franchises retreated into CGI comfort, Cruise dangled from the world’s tallest building, drove against oncoming traffic, held his breath underwater for six minutes, and literally hung off the side of a plane during takeoff… and of course, ran a LOT. The man simply refuses to fake it.
In “The Final Reckoning,” that philosophy reaches its apex. At 62, when most action stars have long retreated to dignified close-ups and stunt doubles, Cruise is somehow doing MORE than ever before.
“The Final Reckoning” wastes no time diving into its most complex plot yet.
Hunt and his IMF team face a sentient AI called “The Entity” that threatens not just individual lives but the very concept of truth itself. In an age of deepfakes and information warfare, this villain feels unnervingly timely. Ethan must locate and destroy the AI’s source code before it falls into the hands of Gabriel (Esai Morales), a ghost from Hunt’s past with his own twisted philosophy about humanity’s future.
Director Christopher McQuarrie weaves genuine moments of doubt, grief, and vulnerability between the action beats. There’s a sense that the IMF team is truly at the end of their rope, with Hunt specifically having sacrificed too much for too long.
The chemistry of the core IMF team remains one of the franchise’s greatest strengths.
Simon Pegg’s Benji has evolved beautifully from nervous tech guy to capable field agent, while still providing perfectly timed comic relief. Ving Rhames brings gravitas as Luther, the only character besides Hunt to appear in every film, and his emotional scenes here remind us why that continuity matters.
Hayley Atwell’s Grace returns with more agency, no longer just the wildcard thief but a reluctant – but increasingly comfortable IMF recruit. Her transformation feels earned, and her chemistry with Cruise is electric.
Even Pom Klementieff’s Paris, though mortally wounded in the previous film, appears in a limited but impactful way – not just as a bruiser, but as someone whose allegiance shift now ripples into the final act.
The returning faces extend beyond the main team too. In a brilliant bit of franchise bookending, Rolf Saxon reprises his role as William Donloe from the very first film – a clever nod that will have longtime fans grinning without confusing newcomers.
Every great hero deserves a worthy final villain, and “The Final Reckoning” delivers with Gabriel, played with chilling restraint by Esai Morales.
What makes Gabriel truly effective is his personal connection to Hunt’s past. Their shared history adds emotional weight to their confrontations.
Morales brings a philosophical menace to the role that elevates him above standard action movie villains. In his view, he’s not destroying civilization but trying to reveal its inherent flaws in ‘his reality’. This measured performance creates the perfect counterbalance to Cruise’s passionate intensity.
The film’s standout sequence happens in the first half – a submarine scene that ranks among the most terrifying in the franchise. Hunt’s search for the Entity’s source code takes him into the wreckage of the Sevastopol sub, creating a claustrophobic nightmare that’ll have you unconsciously holding your breath.
As Hunt navigates the flooded interior, loose missiles tumble with each slight movement. The tension ratchets up as he strips away his survival gear piece by piece to squeeze through narrowing passages. When his oxygen mask catches on debris, dragging him deeper, Cruise’s physical performance – showing real panic while executing an impossible escape – reminds you why nobody does it better.
His desperate swim to the surface, lungs burning, fading just below the ice before rescue, ranks among the franchise’s most visceral moments. We even glimpse decomposing bodies of naval forces lured to their deaths by the Entity – a grim reminder of the stakes.
If the sub scene leaves you gasping, the aerial finale will stop your heart entirely. Hunt chases Gabriel in analog biplanes (immune to the Entity’s digital reach), and what follows defies belief.
As one aircraft takes off, Hunt does the impossible – sprinting alongside, leaping onto the accelerating plane, fighting his way to the driver’s seat, and taking control to pursue Gabriel. When his damaged plane starts failing, he attempts a mid-air hijacking thousands of feet up.
The ensuing aerial ballet is pure insanity – Gabriel performing barrel rolls and flips trying to shake Hunt off, their fight continuing as the plane’s engines cut out repeatedly. Even in freefall with a burning parachute, Hunt races to upload Luther’s antidote to the Entity’s code.
The emotional gut-punch comes from Luther’s sacrifice. His decision to give his life so Hunt can finish the mission embodies the IMF creed: “We live and die in the shadows, for those we hold close, and for those we never meet.” It crystallizes everything the series has built toward – that these impossible missions transcend individual agents.
The quiet moments land harder than any explosion. A look between Hunt and Luther communicates decades of friendship and shared trauma. By the final frames, we’ve witnessed not just another mission but the culmination of a life dedicated to protecting others at any cost.
Will Ethan Hunt comeback? Is it.. impossible? Not for Cruise.. However, it’s a goodbye too perfect to not be true.
Worry not – because it’s already confirmed that the actor’s got many more new projects lined up.
After all, he did reveal in recent interviews that he’s working on ideas for the next Top Gun film, a Days of Thunder sequel – and is even going to be involved in a film (or films) with Ana De Armas, and that he’d like to act till he’s 100 – and goddamn it, if anyone can do it – it’s him.
What ultimately makes “The Final Reckoning” special is how it balances spectacle with genuine emotion. The film takes time to acknowledge the toll that constantly choosing the mission has taken on these characters, particularly Hunt himself.
The film concludes with one last classic MI run in – an emotional standoff between Hunt, Benji, Paris and all the characters we’ve grown to love not only through the past few films, but over three decades. For one last time, Ethan finally walks away, disappearing into the crowd with Grace.
It’s a sendoff worthy of cinema’s most enduring action hero.
